January Colors

it's been a wonderful new year so far! i had originally planned for this album to be made within one month to see if i could handle a simple guideline that i set for myself when making an album. still, i never found myself too rushed so the tracks seemed to just glide together! i made the entire album using a similar template, but completely different time signatures. this really worked out and seemed to make everything sound really nice and happy! i mean, the dwarkitty is so cute anyways, how could i not get so excited? i guess i learned a few new nifty tricks this time around and i can't wait to put them to better use! the track called "familiar gateways" is the original version of "let's travel the world" from "a box of chocolates." i really have no idea why i split them up like this, but both versions were equally important. The slower version from "a box of chocolates" was much easier to dance too, and was really nice relax too because you can single out the notes better. The fast version is so much more challenging to the dancer, as you have to keep up to the sounds with dance. and as it turned out, it was much more energizing when dancing to the fast version because it made me want to keep up. i wonder, if i had never listened to the slow version, would i be able to dance to the fast version so comfortably? the dukes of khaki and denim was pretty fun to make actually, i tried using a smaller version of the template but this time with kit-drum sounds. i really don't know what to say about this one, it's a little bit of a tangent song, but it seemed to flow almost too well for how stupid it sounds. i want to try this style again sometime, but perhaps for a little bit longer. mechanicasket is a wierd song too! i wanted to see if i could let you listen in on my hidden machine through music, and hell by the end of the song it even started breathing! "HO-HAAUMUELL"

dear rambunctious simpletons and humble party animals who have flung themselves through the webbed crystal abyss of infinite forevermore, ..............................RAS!
doo do doop dee dop dee dii doop dip dee di dop doo dop dop

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Box of Chocolates

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Merry XMAS!

This collection was a blast to make! it's a healthy mix of new material & techniques with a few tracks of older material i hadn't included before. for a couple of the songs i was playing a lot with the background sound, making it progressively change, adding more or taking stuff away, lots of ideas came to mind with this. i tried to use drums or other interesting sounds to pull the attention away sometimes so changes weren't as noticeable or to help the riff flow. a cool technique i found myself using with heavily-layered patterns was to single out a few layers that sounded interesting together and slowly or abruptly remove all other notes. when i heard how this sounded, i was interested with how colorful it was when you add something back in with the leftover layers included. it seemed really help me put together the flow of a few important parts. i also really enjoyed the variety of feelings that come from all the tracks, they all fit together really well but seem to all have their own attributes and meaning even though they share similar techniques. The end of this cd isn't as i had planned, some fucked up shit happened.

Cow Town

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We all come from our own Cow Towns and they are full of magical surprises!

Cow Town is nothing but a short collection of songs that collaborate to celebrate my consciousness! i learned that the use of subtraction is just as important as was the use of addition. i found that when i subtract a note/beat/sound whatever the other sounds are occasionally interpreted differently, almost like they are a new sound altogether. I also got to make and finish "wood is a metal horse" on my 18th birthday, which was an awesome way to celebrate and it really helped finalize the overall feeling i got from the album. my favorite song of the bunch would still have to be "immature lotus leaves." I seem to hear drumming as some kind of ominous language, speaking in a such a way anyone can understand. i find this "language" to be much clearer with wooden sounds or hand drums. the last track called "CROWN" was made in the Time Signature of 20/12 and at the Tempo of 666, this was a stroke of magic by my friend named Ryan Brown. All in all, it may be a little hectic at times, with a little bit of static here or there, but i could not have wanted anything more or less to come from this album.

After Effects

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The third collection of songs by the Master of Pants. turned out to have a much darker feeling than i had originally hoped for, but there are a few tracks that are silly as fuck! it taught me a lot of cool glitch techniques as well as some good vocal practice. unfortunately, the vocals were recorded with a fairly crappy headset, so i had trouble removing all of the static. my favorite song definitely has to be The Little Spider.